Archive for the ‘Producer’ Category

The Producer’s Job-Finding a Singer’s Unique Sound

Producer | Posted by guest author
Aug 13 2009

music_producerA songwriter or singer about to record a demo or CD intended either to garner industry attention or for direct sale to the public needs to be cognizant of this: not all producer’s are created equal. Some producer’s do little more than manage a recording session and take whatever is given them from the musicians and the vocalist. They may do a decent mix and create a CD that sounds professional. But in my opinion that is not producing, at least in most cases. Sure, there are times when an artist has a voice and style where staying out of the way and simply capturing the magic is the right approach. But most singers, songwriters and bands, even though they may be highly talented, are not unique enough to garner a deal as-is. It’s the producer’s job to bring it out.

I’m going to toss out a few names: Dolly Parton, Neil Young, Jennifer Nettles, Louie Armstrong, Michael McDonald, Josh Turner…If you hear any of them on your radio, you instantly recognize who they are. Know this, if you can’t create that same kind of instant identity, you are not very likely to get signed to a recording contract- you’ll be one of hundreds of soundalikes vying for that same deal- and if you do get signed, your latest pair of shoes my well outlast your career.

Starting a Hiphop Record Label Versus Getting Signed

Producer | Posted by guest author
May 07 2009

Mello Melanin is the force behind www.RapBeatCreator.com, a site specializing in teaching new producers how to get started making their own beats. He is the CEO of What’s Hot Media, Inc. Some of his greatest accomplishments include, performing at the world famous Apollo Theatre in Harlem, New York and performing with Grammy Award winners The Roots

by Mello Melanin

music_-producerAs a Hiphoppa whose been in the music industry for years, I have seen a lot of changes. I’ve seen the cassette come and go, vinyl get pushed from everybody to only deejays, and the birth and near death of the cd. I’ve also seen the rise of many independent record labels and fewer and fewer artists getting signed by record labels.

I’ve seen artists get signed and blow up and I’ve seen them go independent and blow up. So which is better: Going independent or getting signed? Both have their pros and cons. Let’s take a look at a few.

The benefits of getting signed can be huge…if you got the right things in place. Generally to get signed, you need a marketable demo, an 8×10 head shot, a bio, and a whole lot of patience and hustle. This is typically not an overnight process. Depending on your budget, it may take months to complete your demo package. With today’s technology, lets say it takes you 2 months.